2013-14
I am starting out Honors Orchestra this year and the music is definitely different. I instantly ran into a problem at the beginning that would haunt me for the rest of the year. My schedule got messed up so I am not able to be in the same class as the Honors Orchestra. instead, I have an independent study period when the Repertory Orchestra practices. This seems to be working our fine because it means I have more time to practice my individual piece with a fellow cello-mate in a similar situation. However, this blog is not to discuss what goes on during school hours, but rather after school. As I mentioned before, Honors Orchestra plays music of a higher caliber, and with I, having only two years of experience of the cello, have to do a lot at home.
Additionally, there are only four cellists in Honors Orchestra, including me. This would not be a big problem if we are all playing the same part, however the piece that my instructor picked has three different parts for the cello as well as a separate piece of music for our principal cellist. This arrangement means that each cellist is playing their own part-the pressure is on each of us. Because of this stressful factor, the fact that I am not in the correct period to be practicing with the whole orchestra is even more stressful because I do not know how the piece is supposed to sound. Now I take my cello home every weekend to practice. The piece we are playing is called Holberg Suite and sounds very nice when played right. There are many parts that are way too fast for me, which is why while I am at home, I go through each note to make sure that I am playing the right note. Once I get the notes right, I focus on the speed and beats of the notes to understand the tempo. Then finally, after learning the notes, I work on speed. Something else that I was introduced to is the heavy use of the tenor cleft, even though cellos are in base cleft. Basically, this means that I have to learn how to read tenor cleft as well, something that does not seem that bad. However, the difficult part of tenor cleft is that most of it is played in a high fourth position on the cello-basically what I consider no man's land because it is so high and at times hard. Despite my fears of reading tenor cleft, I know that I have to learn in order for the piece to flow together. Since I was not able to participate in the class, I had to put a lot of time at home making sure I understood the tempo of everything.
Luckily, my dad is a cello major, so whenever I had a question at home, he would be able to help me. He worked with everything from intonation to playing position to make sure that I play the notes correctly. Being in the orchestra at school required lots of outside time for me to improve my skills to help the orchestra to the best of my abilities. Many times, I feel that I am so behind because I only started playing my freshman year, which means I must work twice as hard outside of school to bring my skills up to my classmates' level- all of whom have been playing since middle school.
2014-15
From starting cello as a freshman and not knowing how to sight read or play the cello very well, I do not think I would ever imagine that I would become first chair in honors orchestra. Coming in my senior year, I did not know what to expect. Mrs. Green introduced the class to Shostakovich's 8th String Quartet and we began to study the entire piece. The piece is composed of five different movements and each has a specific story behind it. What is great about music is that the composer tells a story through the music he or she is composing and the musician's part is to become creative with the piece and present the story to the audience in the best way possible using his or her imagination and style of playing. A big part of being in an orchestra is using your time outside of class to study the piece. At home, I dug deeper into the piece and researched its meaning. I learned that it was composed during the oppressive government of the Communist Soviet Union. The government did not allow Shostakovich to compose this piece because it was too radical for the government, but he defied the government and composed it anyways, presenting it to as many audiences as he could. When listening to the piece, each movement portrays a small story that is a part of the general theme of how terrible and oppressive the government was. As I played at home, I tried to find the best way to portray the movements, based on my own creative playing style. As I continued to practice with my friends, I came across two solos that I am expected to play since I am first chair. At first I was extremely scared because the music was written in Treble Cleft, something that is rarely found in high school cello music, so I was afraid because I was not as advanced as Kieran Campbell, a cellist at Julliard who went to Grimsley four years ago who played the same piece. A bigger part of me was scared because I did not want to ruin the story. I felt that perhaps my creative style and interpretation of what was going on during my solo in Shostakovich's mind would not be correct or be the best way to portray it. During my first solo, I imagine a time of rebellion, and thought that adding vibrato or legato would not give its total effect, so I became more careful of my stylistic techniques while practicing the solo. My other solo is completely the opposite as it has an extremely sad tone. My interpretation is that somebody was dying at the hands of this oppressive government. i think this means that I need to use a lot of vibrato and legato to make each note sound extremely sweet and tender. I also should take my time with this solo so that the audience can become connected with what is going in as well.
Solo Time!
Honors Orchestra Concert |
Southeast String Festival
The Southeast String Festival is held annually at the University of North Carolina-Greensboro (UNCG). I wanted to continue to challenge myself in music so I auditioned for it and was accepted. I thought by participating in this festival, I would be able to meet lots of great musicians that I can learn from and apply what I learn to my cello playing. The festival was three days long and it was a great experience. When I arrived, we immediately had sectionals and began to practice the music. All the other cellists there were far more advanced than I was, and I was so amazed at their skill level given their age. I was not at their level, but I was happy that I was able to surround myself with these fantastic young cellists that I can learn from. When we received our seats, I was second to last, but this did not bother me because I knew that these other cellists spent all their time playing and their spots were well-deserved. Throughout the three days, I learned new finger positions from them that I would not have thought of on my own. They were able to maneuver about the fingerboard with great ease as they found way to play hard parts using very easy fingerings. One piece that we played called "Molly on the Water" was an Irish jig and was much faster than I thought it was. I was not able to play it up to the tempo that everyone else was playing, so I had to spend extra time on that piece to make sure I could play as much as I could up to tempo. I know that in my high school orchestra, we have never played a piece quite that fast, and it was very intimidating for me to hear everyone else play it up to tempo. However, I really wanted to take myself to the next level and practiced that piece at home as much as I could so that I could try to play up to their speed. Needless to say, I was happy that I was able to attend and learn a lot form higher caliber musicians.
Learning Outcome: Increased Awareness of my Own Strengths and Weaknesses With the cello, there are definitely more places that I can improve on. However, I have noticed that my skills are improving since my entry into the honors orchestra. When I started orchestra as a freshman, I could not sight read and barely know how to play, now I am able to make my own fingerings and as section leader, I know the music well enough that I can find ways to play difficult parts in an easier way so that everyone can play it with ease. I could have never imagined that I would improve my skills that much since I began. However, there are still lots of skills that I have yet to acquire and know that as soon as I feel that I have understood a certain skill, there will always be another skill that I have yet to learn about.
Learning Outcome: Undertaken New Challenges
I have never considered myself a musician, even when I started playing the cello because I never saw myself as an active member of the musical community. Over the past two years, I wanted to feel a part of the musical community and engaged myself in activities that I would not have done otherwise. From volunteering to play in quartets for big and small events to participating in a music festival, each time I have faced a difficulty in cello, I wanted to overcome it. Learning the Treble Cleft and taking up the position as the section leader has expanded my involvement in the community and has given me many new challenges.
Learning Outcome: Developed New Skills
Coming into orchestra, I had minimal skills as a musician. Through working at festivals and playing at fundraisers, I have not only learned a lot about myself as a cellist, but I have also learned about the dynamic that is necessary in a quartet. Playing in smaller groups is very different because we do not have a conductor so we must rely on each other. Learning things about music from my classmates who play another instrument has proved very beneficial and helped me connect what skills I was personally learning on the cello with the skills that are demanded from playing with a group of musicians.
Learning Outcome: Shown Perseverance and Commitment
Because I had only begun playing cello when high school started, I had to allot much of my time at home to practicing so that I can continue to grow as a musician. When I was told that I was first chair, which required me to play a lot of solos, I did not back down, understanding that although being first chair was an honor, I had to work twice as hard as my fellow musicians. Whether it be 30 minutes before bed or right before I left for school, I had to make sure that I found time to work and develop my skills, whether it be working on my solo, bowing technique, or developing proper fingerings for the piece that I give to the rest of my section. Despite all of the time I could have spent doing other things, the time that I committed to cello was the most rewarding after finally being able to play the solos that were written in a different cleft and required me to shift up past fourth position, something that I could not have imagined I could have done when I first started.